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Techniques of aikido. Fundamentals of aikido. Japanese martial arts.

April 10th, 2011 Aikido master No comments
Title:

Techniques of aikido. Fundamentals of aikido. Japanese martial arts.




Pages: 1 2

Techniques of aikido. Fundamentals of aikido. Japanese martial arts.

Let’s look at the different fundamental movements of this martial arts.

is martial arts that resulted from the combination of several disciplines. It was created by Ueshiba sometime in the 1940s. It was the result of Ueshiba’s search for a technique that provided him with contentment not only in the technical sense but also in the spiritual end.

comes from the three Japanese words, ai-ki-do, which means joining, spirit, and way respectively. In essence, is a martial arts form that focuses on the joining of the spirit and the body and the mind to find the Way.

has many techniques and . Its basic structure comes from the throws and locks found in jujitsu and also from the movements that experts do when they are fighting with swords and spears.

Fundamental Techniques of

Let’s look at the different fundamental movements of this martial arts.

Ikkyo

This is the first technique in , where control is achieved by the use of the hand on the elbow and one near the wrist. This is the grip that is also that can apply pressure into the ulnar, which can be found in the medial portion of the arm.

Nikyo

This is the second of the techniques, which is characterized by an adductive wristlock that twists the arm and then applies pressure in the nerve that can be really painful.

Sankyo

This is the third technique that incorporates a pronating move. It directs an upward tension all through the arm, the elbow and the shoulder.

Yonkyo

The fourth installment in the fundamental movements of , yonkyo uses a shoulder control movement similar to a ikkyo but this time there is no gripping of the forearm. Instead, the knuckles apply pressure on the radial nerve

Gokyo

The fifth technique is actually a variant of ikkyo. This time the hand gripping the wrist is inverted and twisted.

protective

Here are some of the that you can use in order to disarm your .

Kotogaeshi – this is what is called in the English as the wrist return. In this move, the practitioner will place a wristlock and throw that will stretch up to the extensor digitorum

Iriminage – called the entering-body throw, here the practitioner or the nage will move into the space where the uke or the is. This classic move resembles the clothesline technique.

Kokyunage – this is the breath throw, a term that refers to the various types of “timing throws.”

Koshinage – this move is ’s version of the hip throw where in the will drop his hips a little lower than the or the uke. He will then flip


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Categories: The Art of Aikido

Best Aikido Secrets Everyone Should Know Japanese martial arts.

April 8th, 2011 Aikido master No comments
Title:

Best Aikido Secrets Everyone Should Know Japanese martial arts.




Pages: 1 2

Best Aikido Secrets Everyone Should Know Japanese martial arts.

When an attacker is approaching, the only has a split second to decide whether to dodge or block the move of the . There is no point thinking about what this happened in the first place but the concern now is just to stop it.

In a , the can make a counter attack in the hopes that the individual will be subdued. There is another way of course without resorting to force, which is the technique one can learn in .

is a martial art in which the blocks the of an by using the hands. Anyone who wants to learn it will not be able to move as fast as Steven Segal in one of his action films but still be effective in combat.

This martial art cannot be learned by merely watching others do it in the movies or in television. There are some who even show the step by step process in a magazine but nothing still compares to learning it from a Sensei.

The must first become a student in order to be called a master. This means learning the basic rules from entering the dojo until the class is over. The will surely feel some pain after falling down a few times on the mat but this is not to torture the pupil.

This is all part of the training, which the student must also do properly in order to move into the more advanced classes.

One of the secrets is being able to know when to use it since timing is everything. There is a bit of hand to eye coordination just like in sports but here, the individual will merely redirect the same force back to that individual.

Another secret in using has to do with the wrist. The should be smooth enough to put one hand over the to be able to make the technique work and counter the attack.

It takes a certain amount of energy to be able to perform certain . The individual will learn the various breathing exercises that will increase the heart rate and slow it down especially in the heat of the action.

The student should bear in mind that the breathing exercises also serves as a unifying force between the physical and the emotional aspect of the .

The most important secret in mastering is being consistent with the technique. The arms will surely feel heavy after some time or a certain amount of energy is drained after a few . By being able to do the same thing despite these difficulties, anyone can truly be called a true martial artist.

People who want to check on how well one is doing can sign up for Tomiki . This is a competition held by various clubs in which the student will compete among some of the best in the country.

Those who do well here can move up to the next skill


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Categories: The Art of Aikido